‘Dakhin | Dilli – A Sacred Dialogue’ and ‘Prints of Divine’
THE preview of “Dakhin | Dilli – A Sacred Dialogue” and “Prints of Divine”, presented by RGA Group at Arzaani Atelier Privé, Bikaner House, New Delhi witnessed an impressive turnout of collectors, art patrons, cultural enthusiasts and members of the media.
Curated by noted designer and cultural patron Raseel Gujral Ansal, the exhibitions opened to an engaged audience, who responded enthusiastically to the thoughtfully curated showcase exploring India’s sacred visual traditions across regions and time periods.
Guests at the preview appreciated “Dakhin | Dilli – A Sacred Dialogue” for its nuanced exploration of the artistic and spiritual connections between the Deccan and North India. The exhibition’s presentation of temple icons, narrative paintings, and ritual objects offered a compelling insight into the shared and evolving visual language of devotion.
The parallel exhibition, “Prints of Divine”, curated from the private collection of Prem Kandwal, drew significant attention for its rare display of early Indian oleographs and devotional prints. Featuring works associated with the historic Raja Ravi Varma Press, the showcase highlighted the transformative role of printmaking in bringing sacred imagery into everyday life.
Among the highlights that captivated attendees were iconic works by Raja Ravi Varma, alongside prints enhanced with distinctive techniques such as Burma cloth and silk embellishments. The exhibition also features works by prominent artists including MV Dhurandhar, KS Sidhalingaswamy and GV Venkatesh Rao.
The preview evening fostered engaging conversations around India’s rich devotional art traditions, with attendees spending time interacting with the curator and exploring the layered narratives presented across both exhibitions.
Speaking on the occasion, Raseel Gujral Ansal remarked, “It is heartening to see such a thoughtful response to these exhibitions, which trace the journeys of devotion through diverse artistic expressions across India.”
Prem Kandwal added, “The response to these rare prints has been truly encouraging, reaffirming the enduring appeal and cultural significance of India’s early print heritage.”
The exhibitions will remain open to the public until May 10 offering a wider audience the opportunity to experience this unique confluence of India’s sacred visual heritage.
New Delhi
April 13, 2026